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本文试图就拉康的能指与享乐概念提出一种亚里士多德的“形式一质料论”式的解读,以此厘清两者互为前提、互相转化的关系,并为进一步研究拉康的主体拓扑学提供一个哲学基础。
This article attempts to put forward a kind of Aristotle’s “form-material theory” interpretation of Lacan’s conception of fingering and hedonic, in order to clarify the relationship between the two and each other’s transformation, and further study Lacan’s subject topology provides a philosophical basis.