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“摹古以乱真”的能力充分体现了王翚的绘画造诣,是其得以扬名的基础。“摹古”既是方法,又是观念,但却非一种风格,王翚大量以“仿”为名的作品实际上却只是托古以表今,即以古之名,观今之态,体现出个人的对精神性的认知与追求。在对古代经典的重新整合过程中,王翚打破了董其昌提出的“南北”格局,成为元明清正统文人画链条上的一个重要结点,然而,正是由于他的历史重要性及其作品中的“仿”之表象,却使他成为两百年后陈独秀“美术革命”的靶心。
“G ancient with random truth ” ability fully embodies Wang 翚 painting attainments, is its foundation to be famous. “G” is both a method, but also a concept, but not a style, Wang Zhi a large number of “imitation ” in the name of the work is actually just Tugu to form today, that is, the ancient name, view This state, reflecting the individual’s spiritual understanding and pursuit. During the reintegration of the ancient scriptures, Wang Kui broke the “North-South” pattern proposed by Dong Qichang and became an important node on the chain of orthodox literati paintings in Yuan, Ming and Qing dynasties. However, precisely because of his historical importance and The appearance of “imitation” in his works has made him the target of Chen Duxiu’s “Art Revolution” two hundred years later.