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我与山尊同志相识前后共58年,1952年初识于北京人民艺术剧院。那年我26岁,山尊大我一轮,38岁。当时他担任副院长,是我的领导,又是参加过延安文艺座谈会的老革命,我把他看作革命长辈,十分尊敬他。在纪念山尊同志百年诞辰之际,我以自己的切身感受,谈一谈他的艺术风格对我的教益。一、现实主义的导演风格自1952年建院至1966年“文革”的14年中,山尊担任北京人艺副院长、副总导演,还曾代理过党组书记等职务,为人艺导演了包括《春华秋实》、《日出》、
I met with Shan Zun comrades a total of 58 years before, in early 1952 know at the Beijing People’s Art Theater. That year I am 26 years old, Shan Zun big me round, 38 years old. At that time, he was the vice president, my leader, and the old revolution in Yan’an Literature and Art Forum. I regard him as a revolutionary elder and respect him very much. In commemoration of the centenary of Comrade Shan Zunzhi’s birthday, I, with my personal experience, talked about his artistic style to teach me. First, the realist style of director Since 1952 to 1966 to the “Cultural Revolution” 14 years, Shan as vice president of Beijing art, deputy director, has also acted as party secretary and other positions for human art Director, including “Chunhua Qiushi”, “Sunrise”,