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海德格尔在《艺术作品的本源》中从作品本身探讨艺术作品的本质。作品具有物性,因而转向对于物的探讨。他从批判了古希腊以来的三种流行的物观入手,认为这些物观作为先入之见的思维方式都扰乱了我们对物之物性的把握。通过梵高的油画我们不仅得到了对器具之器具因素的把握,而且得出艺术作品是真理自行设置入其中。物之存在与真理的生发其实是一回事。真理的本质就在于遮蔽与无蔽之间的原始斗争。作品中的世界与大地的争执即是真理发生或者是物之存在的源地。
Heidegger explores the essence of works of art from the work itself in The Origin of Works of Art. Works with physical properties, thus turning to the discussion of things. He criticized the three popular concept of things since ancient Greece, thinking that these things as preconceived ideas disrupt us grasp of the physical properties. Through the painting of Van Gogh, we not only got the grasp of the appliance factors, but also concluded that the artwork is the truth set by ourselves. The existence of things and the growth of truth are the same thing. The essence of truth lies in the primitive struggle between shelter and blindness. The dispute between the world and the earth in the works is the source of truth or the existence of things.