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世界原本是一个五彩斑斓的色彩世界。在这个世界上,自然色和人造色渗透、溶入于人的生活之中,直接刺激着人的眼球,影响着人的感知,并产生着更深的精神影响力。色彩应该是绘画艺术的主要颜料,中国画也应如此,墨只是作为色彩中的一种颜色—黑色而存在。但在近一千年的绘画艺术发展过程中,墨却脱离了原始的色彩体系形成了独立的艺术语言体系—水墨画语言体系,并一直被多数的传统中国画家所钟爱。色彩和墨用量的多少客观上反映出中国画艺术方向的改变。对中国画发展方向进行研
The world was originally a colorful world of colors. In this world, the infiltration of natural colors and artificial colors into human life directly stimulates the human eye, affecting people’s perception and producing a deeper spiritual influence. Color should be the main paint of painting art, Chinese painting should be the case, ink is only as a color of color - black existence. However, in the process of nearly a thousand years of development of painting art, Mohism deviated from the original color system and formed an independent artistic language system - ink and wash language system, which has always been loved by most traditional Chinese artists. The amount of color and ink objectively reflects the change in the direction of Chinese painting art. Research on the development direction of Chinese painting