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文人画是中国文人、士大夫阶层的艺术创作,明清时期的文人画更是其中的翘楚。而道教思想作为中国哲学史、宗教史上重要的组成部分,对于中国社会、文化的发展有着重要的影响。文章以文人画和道教思想的基本内涵为引,从分析文人画与道教思想的历史溯源入手,博古通今,论述了道教思想与明清文人画在艺术精神上的高度契合,并探究了明清文人画与道教思想的关系,解析了明清文人画中道教思想的体现,论证了哲学与艺术间的辩证统一。
Literati painting is the artistic creation of the Chinese literati and literati class, and the literati painting of the Ming and Qing Dynasties is one of the most outstanding ones. As an important part of the history of Chinese philosophy and religion, Taoism has an important influence on the development of Chinese society and culture. Taking the basic connotation of the literati painting and Taoism as the guidance, this article starts with the analysis of the traceability of the literati painting and Taoism. Throughout ancient times, this article discusses the highly conformity between Taoism and literati painting in the Ming and Qing Dynasties and explores the literati Painting and Taoism, analyzes the embodiment of Taoism in literati paintings in the Ming and Qing dynasties, and demonstrates the dialectical unity between philosophy and art.