论文部分内容阅读
英国现代主义女作家弗吉尼亚·伍尔夫在其最后一部小说《幕间》中通过对现实生活与历史剧的交替描写,展现了战争阴影笼罩下英国乡村的生活图景。以巴赫金狂欢化理论为依据,分析《幕间》中的“狂欢化”因素,包括历史剧与观众的互动、历史剧中的戏仿以及小说中的文字游戏,从中暗示伍尔夫在环境的影响下小说创作形式的改革及其对完善英国文学、唤起人们社会责任感所做的最后努力。
British modernist writer Virginia Woolf in his last novel “The Screening” through the alternating description of real life and historical drama, showing the shadow of war enveloped the life of the British countryside. Based on Bakhtin’s carnivalization theory, this article analyzes the factors of “carnivalization” in the “interlude”, including the interaction between the historical drama and the audience, the parody in the historical drama and the word game in the novel, which implies that Woolf’s influence on the environment Under the influence of the reform of the form of novel creation and its final effort to improve British literature and arouse people’s sense of social responsibility.