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A“当代中华文学”一词的提出,并非哗众取宠,而是对当代文学学科进行深入反省的一个结果。“当代文学”的学科构建问题早在1985年唐先生的《当代文学不宜写史》(《文汇报》1985年10月29日)那篇短文中就已显露端倪。上世纪90年代起,有关当代文学学科危机的言论便不时出现。(1)进入21世纪以来,对这些问题的思考仍在持续。杨匡汉近年主编的《中国当代文学》在谈及当代文学学科建设时不无忧虑地指出:“当代文学是发展中的学科,也是充满了风险的学科。
A ”contemporary Chinese literature, “ the word proposed is not grandstanding, but rather a reflection of the contemporary literary subjects as a result of in-depth examination. ”Contemporary Literature “ subject construction as early as 1985, Tang’s ”Contemporary Literature should not write history“ (”Wen Wei Po“ October 29, 1985) that passage has been clues. Since the 90s of the last century, the remarks on the crisis of contemporary literature have appeared from time to time. (1) Since the 21st century, the thinking on these issues is still going on. Yang Kuanghan’s ”Chinese Contemporary Literature“, which was edited in recent years, pointed out without hesitation when it comes to the discipline construction of contemporary literature: ”Contemporary literature is a developing subject and a subject full of risks.