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“张庚学术思想研讨会”对中国戏剧的科学研究意义是重大的。听了各位专家、学者对张庚老师的治学精神、学术思想、理论建树.人格力量等等方面的精彩论述使我深受教育。我只想补充一点:张庚先生和中国昆剧。 (一)张庚先生对中国戏剧300多剧种中的昆剧特殊关注,可以说情有独钟。 几十年来,他对昆剧的演出不仅是尽可能都去看,而且看得认真仔细,看后或热情鼓励支持,或诚恳地批评指导。北昆的戏他从韩世昌、白云生、侯永奎到李淑君、我们这一代和洪雪飞、侯少奎、蔡瑶铣等直到杨凤一.王振义.史红梅等新一代都看过;南昆的演员更是从俞振飞、传字辈、继字辈、世
The Symposium on Zhang Geng’s Academic Thought is of Great Significance to the Scientific Research of Chinese Theater. After listening to the experts and scholars, I have been deeply educated about the academic spirit, academic thought and theory of Zhang Geng’s teacher, his excellent discussion on personality strength and so on. I just want to add one point: Mr. Zhang Geng and Chinese Kunqu Opera. (A) Mr. Zhang Geng special attention to the more than 300 operas in Chinese drama Kunqu Opera can be said to be soft focus. For decades, his performance of Kunju Opera not only looked as much as possible, but also looked carefully, looked after or passionately encouraged, or sincerely criticized guidance. North Kun opera he from Han Shichang, Baiyun Sheng, Hou Yongkui to Li Shujun, our generation and Hong Xuefei, Hou Shaokui, Cai Yao milling until Yang Fengyi. Wang Zhenyi. Shi Hongmei and other new generation have seen; Nankan’s actor is from Yu Zhenfei, biography generation Following the generation, the world