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伟大的作品和生活之间,总存在着某种古老的敌意。最近的地方,路途最遥远。大抵世间为了某种意义的追寻,都是如此。第一次看见黛安·阿勃丝的《吞剑女郎》时,一个念头瞬间紧紧攫住了我的心:假如有一天,命运像这把利剑一样从天而降,我也只能以这样的姿态毫无退路地迎接它。这成为我最喜欢的一张阿勃丝的照片。这意味着我经常久久地凝视它,体味着“我”和“她”之间对于彼此的理解。你发现一张照片能够以他人所不能及的方式理解你,这种感觉的确神奇。有一位朋友说他最喜欢的是那张《戴面具的白衣男子》(《无题》1970-
There is always some kind of ancient hostility between the great work and life. The nearest place, the most remote way. This world is true for the pursuit of a certain meaning. When I first saw Diane Arbus’s Swallowing Girl, an idea instantly grabbed my heart: if one day fate fell like a sword, I would only like No attitude to retreat to meet it. This is my favorite Arbus photo. This means that I often stare at it for a long time, comprehending the understanding of each other between “I” and “She”. It feels amazing to find that you can understand a photo in ways you can not get by. One friend said his favorite is the “white-clad man in the mask” (Untitled, 1970-