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壬辰(2012)春仲,因缘百年校庆编纂河南大学藏画图录《薪传图鉴》(上、下册),收录明末清初诗画家李因《蔬果三屏》(118cm×26cm×3,绢本设色)。~1所藏原裱为四轴,因时限、幅面诸囿,仅刊三轴且阙款印辨识,今特订正其画名[果多蔬少,正名为《果蔬四屏》,窃义依顺序与画意分题为“福履绥之”(图1)、“立德全仁”(图2)、“胜芳风月”(图3)、“琴书兴信”(图4)]、画意、师承源流、艺术风格、流传鉴藏及画史地位等。
Renchen (2012) Chunzhong, Centennial Centennial Compilation of Henan University Pictorial of Biography of the Biography of the Biography (Volume 1 and 2) contains the poem “Three Screens of Fruits and Vegetables” (118cm × 26cm × 3, Silk color set). ~ 1 Tibetan Placed as a four-axis, due to the time limit, format Zhuo, only three-axis and Que Qian printed identification, this special order is its name [fruit and vegetable less, is the name of “fruit and vegetable four screen,” the theft In accordance with the sequence and the painting of the sub-topic as “Fushu Sui Sui ” (Figure 1), “Li Dequanren ” (Figure 2), “Shengfang Feng Yue ” "(Figure 4)], pictorial, teachers Chengyuanyuan, artistic style, spread the history of painting and history and so on.