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古今中外的小说可分为两大类:一是志人小说,一是志怪小说。方敏的《大迁徙》是一篇文体特别的小说,笔者命之为志物小说。《大》的审美对象既非人,也不是将人的真形隐去,而是将红蟹作为地地道道的甲壳类节肢动物来描述。志物小说的审美意蕴的显现方式是托物比照。象《大》这样的志物小说在今古世界小说史上确实是极为鲜见的。假以时日,《大》这一类志物小说的全新的审美方式必然会渐渐地深入到审美接受主体的审美接受心理的深层
Ancient novels at home and abroad can be divided into two categories: one is Chi novels, one is a strange novel. Fang Min’s “Great Migration” is a style-specific novel, which I call a novel of novels. The aesthetic object of “big” is neither human nor human, but rather describes the red crab as an authentic crustacean arthropod. The appearing way of the aesthetic connotation of the biographical novel is the comparison of the trusteeship. The novel of novels such as “big” is indeed extremely rare in the history of modern world novels. With the passage of time, the brand-new aesthetic way of the “big” kind of novels will inevitably go deep into the deep psychological acceptance of the aesthetic acceptance of the subject