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新批评派鼻祖艾略特提出“非个人化”的文学史观,要求作家创作中摒弃个人情感的介入,归附更有价值的传统,不断地牺牲自己,消灭个性,使个人意图融入宏大的历史传统语境之中。《荒原》为“非个人化”和文学传统提供了重要证据,表现在《荒原》所揭示的主题思想普遍存在于西方整个社会,这是诗人放弃自我情感宣泄的“非个人化”表达;《荒原》通过使用多种艺术手法,尤其借鉴17世纪玄学派诗歌技巧,实现对传统诗歌特色的革新。
The New Criticism Earlier Eliot put forward the concept of “non-personalization” of literary history, requiring writers to abandon the intervention of personal feelings, attaching more valuable traditions, constantly sacrificing themselves, eliminating individuality and integrating personal intentions into the grand In the traditional context of history. The “wasteland” provides important evidence for “impersonalization ” and the literary tradition. It shows that the theme ideology disclosed in “The Waste Land” is ubiquitous in the entire western society. This is the “non-personalization ”Expression;“ Wasteland ”through the use of a variety of artistic techniques, especially from the 17th century metaphysical poetry skills, to achieve the characteristics of traditional poetry innovation.