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中国的内画发始于料器玻璃鼻烟壶的出现,后经发展逐渐形成了目前带有产业化特征的不同流派,它们包括京派、鲁派和冀派。京、鲁、冀三派经历了几代人的努力,由于历史的局限——主要是内画作者文化视野的局限,再加上它自身的传统所带来的弊端,使人们在极力接受商业利益的时候,无暇去对内画传统的理论根据提出质疑并加以修正。内画能否成为艺术,探索的出路在哪里?带着这种种疑虑我们开始关注艺
China’s internal painting began with the advent of feeder glass snuff bottles, and after its development gradually developed different genres with industrial characteristics, including the Beijing School, the Lupai School and the Ji School. The three camps of Beijing, Shandong and Ji have undergone hard work by generations. Due to the limitation of history - mainly the limitation of the cultural horizon of the interior painters and the drawbacks brought by its own tradition, people are trying their best to accept commercial interests , They did not have time to question and revise the theoretical foundations of the internal painting tradition. Can interior painting become art and explore the way out? With these kinds of doubts we began to focus on art