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强烈的色,浓重的墨,在我们的视域内象滚动的雷电被凝固片刻之后,随缓缓的清风向乡野,向激情中的“大乡土”移动。这就是我对刘光夏“宽银幕”一样彩墨大作的第一视觉印象。 艺术是在生长的意义中实现自己的,而它的生命是在超越了人的意义中才得以延伸的。这些年随着光夏作画空间的扩大,作品越来越多,画幅愈来愈大,整个人倒是显得越来越年轻了,原有的和笔墨一起飞扬的发间银丝奇迹般地变黑了。这使我想到人为什么年青,画怎么才能常新? 刘光夏先生出生在文化古都长安的一个穆斯林家庭,得地之宜,在地生长的环境里得以从半坡彩陶、唐俑、周代青铜器、秦砖汉瓦、汉画像石、陶塑秦兵马涌、汉唐石刻、壁画等随处
Strong color, heavy ink, in our field of vision like a rolling lightning solidified moment, with the slow breeze to the countryside, to the passion of the “big native” move. This is my first visual impression of Liu Guangxia’s “widescreen” masterpiece. Art is fulfilling itself in the sense of growing, and its life extends beyond human meaning. In recent years, with the expansion of light and summer painting space, more and more works and more and more paintings, the entire people are getting younger and younger. The original silver hair flying together with ink and writing miraculously darkens It’s This reminds me why people are young, how to draw new? Mr. Liu Guangxia was born in a Muslim family in the ancient capital of Chang’an, suitable for the land, growing in the environment from the Banpo pottery, pottery figurines, Zhou Dynasty bronze, Qin brick Han tile, Han portrait stone, pottery Qin Bing Ma Chung, Han and Tang stone, murals everywhere