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我看《血滴子》的时候,没法不想到《投名状》。尽管陈可辛在该片中转为监制,但还是可以看到浓浓的《投名状》烙印。二者有着极其相似的影像风格,又有着相似的时代背景,其阐述的主题也极其接近。我想,要是过两年再整出一部类似的电影,那么陈可辛的黑暗满清三部曲也算是圆满了。相对《血滴子》来说,《投名状》的线索较为纯粹,只有兄弟三人一起闯天下,然后又反目这样一根主线。而到了《血滴子》中,却有明显的三条主线,这三条主线相互交叉,相互影响,直至将故事推向高潮。由于三条主线均涉及到兄弟情义主题,因此影片不得不用大量的片长
When I look at the “drop of blood,” I can not help but think of it. Although Peter Chan in the film to monitor, but still can see the thick “cast name” mark. Both have a very similar image style, they have a similar background of the times, and their elaboration themes are extremely close. I think that if two years later to complete a similar movie, then Peter Chan’s dark Manchu trilogy is also considered successful. Relative to the “blood drop child”, the clue of the “warlords” is purer, and only the three brothers went to the world together, and then turned against such a main line. However, there are three distinct main lines in Blood Drop, which cross each other and influence each other until the climax is reached. As the three main lines are related to the theme of brotherhood, the film had to use a large number of film length