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我曾经给《文学自由谈》写过两句话:文学若无自由谈,天高难问更寂寥。显然,文坛若无批评,寂寞悄无声,绝非好事。但是,我看不惯有的人手持机关枪,动不动就对文坛来一阵横扫,管他爸的青红皂白。如对余秋雨,我不喜欢他故作高深,动辄一脸文化状,用商业伎俩不断包装、炒作自己。但是,他毕竟不失为散文大家,至少有四五篇散文,堪称一流。可时下有人斥其为“涂着文化口红”,其作品“像久不打扫的厨房,充满油腻”云云,怎么令人信服?对巴山鬼才魏明伦的不断弄烂古文、烂对联,不少读者嗤之以鼻,笔者亦
I once wrote two sentences to “freedom of literature”: If there is no free talk in literature, it is even more loneliness. Obviously, without criticism of the literary world, loneliness is silent and not a good thing. However, I can not understand that some people armed with machine guns, at a time when the literary movement to swept a while, in control of his father’s indiscriminate. If Yu Qiuyu, I do not like him pretending to be sophisticated, frequently face the cultural form, with business tricks constantly packaging, speculation themselves. However, after all, he is still a prose after all, at least four or five essays, 堪称 first-class. But nowadays some people call it “painted with cultural lipstick”, and his work “like a long time to clean the kitchen, full of greasy” and so on, how convincing? On Bashan ghost Wei Minglun continue to corrupt ancient prose, bad couplets, many readers scoff , I also