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我从事川剧工作五十余年中,对反映舞台的一切作品,从专业习惯应有着浓烈的兴趣,它们都应属于我专业的宽视野范围之内。国家二级舞美设计师叶久明,12岁进入四川唯一一所“川剧最高学府”——那时的四川省川剧学校学戏。应该说,夏练三伏,冬练三九,幼儿学,功上身,泡入戏,戏入骨,艺入血,永受益。何况他又拜邓渠如、韩诚之、陈书舫、杨云凤、白玉琼、秦介仁、刘光烈、梅春林、周清植等川剧名家为师。
In the more than 50 years of my work in Sichuan Opera, I should have a strong interest in all the works that reflect the stage, and should all belong to my professional field of vision. National secondary stage designer Ye Jiuming, 12-year-old entered the only one in Sichuan “Sichuan Opera highest institution” - Sichuan Sichuan Opera School at that time. It should be said that summer exercise three volts, winter training 39, kindergarten learning, upper body, soaked into the drama, into the bone, arts into the blood, benefit forever. Not to mention that he paid tribute to Deng Quru, Han Chengzhi, Chen Shufang, Yang Yunfeng, Bai Yuqiong, Qin Jieren, Liu Guanglie, Mei Chunlin, Zhou Qingzhi and other famous Sichuan opera masters.