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本文以陈染小说中的“街道”和“乱流镇”这两个空间形式为中心,探讨陈染如何在作品的开放空间中唤起小说中的批判意义、以及这一空间如何与时间的叙事框架融合交汇,试图从一个新的视角对陈染进行解读。
This thesis centers on two spatial forms of “Street ” and “Chaosu ” in Chen Ran ’s novels, to discuss how Chen Ran elicited the critical significance in the novel’ s open space and how this space The narrative framework of time converges and attempts to interpret Chen Ran from a new perspective.