论文部分内容阅读
明末以来要求思想解放的思潮对于艺术审美价值观的影响,客观上造就了明清时期戏曲的繁荣局面。清廷入关以后社会文化政治环境发生改变,为巩固统治,一方面用怀柔政策笼络汉族知识分子,一方面又用“文字狱”排除异己思想,使得清初的戏剧创作在短暂的精彩后归于长久的平庸。但作为中国封建文化登峰造极的一个朝代,单就清代戏曲发展来讲,其嬗变过程纷繁而又复杂,可谓是对撞与交流并存,整合与裂变共生。相比而言,由于历史的原因,清代的戏曲史料也要比元、明时期的史料丰富,这使得我们可
Since the end of the Ming Dynasty, the impact of ideological emancipation on the artistic aesthetic values has objectively created the prosperity of the drama in the Ming and Qing Dynasties. After the entry of the Qing government into the social and political conditions changed, in order to consolidate the rule, on the one hand Huaneng policy to win over the Han intellectuals, on the one hand they use the “prison of letters” to exclude alien thought, making the drama creation in the early Qing Dynasty after a short wonderful Attributed to the long-term mediocrity. However, as one of the dynasties where Chinese feudal culture peaked, the evolution of the opera in the Qing Dynasty was complicated and complex. It can be described as the coexistence of collisions and exchanges, the integration and fission symbiosis. In contrast, due to historical reasons, historical materials in the Qing Dynasty also had more historical material than the Yuan and Ming Dynasties, which made it possible for us