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20世纪80年代改革开放以来,中国传统音乐、近现代音乐史乃至西方音乐史等学术领域在音乐批评方面屡现波澜,其中有不少涉及到不同族群地域(诸如中西音乐文化关系)以及不同社会阶层(诸如精英文化与草根文化)之间的文化关系问题。鉴于民族音乐学和文化人类学一向对于此类问题的关注较多,提倡将该类方法引入各传统的音乐学学科的呼声也此起彼伏。然而,以往在此方面人们显然较多强调的
Since the reform and opening up in the 1980s, academic circles such as Chinese traditional music, modern music history and even western music history have been repeatedly exposed in music criticism. Many of them involve different ethnic groups (such as Sino-Western music and cultural relations) and different societies The cultural relationship between strata (such as elite culture and grassroots culture). In view of the fact that ethnomusicology and cultural anthropology have always paid more attention to such issues, there are also many calls for promoting such methods into the traditional musicology disciplines. However, in the past, it has obviously been more emphasized in this respect