画家与诗

• 作 者: 韦宾
• 机 构: 陕西师范大学,
• 出 处: 中国美术馆
• 发表日期: 2012年01期
• 关键词: 国画家 北宋中期 诗画一律 画诗 曜灵 历代题画诗类 后世文人 声画集 万首 邓椿

画家是否必须能诗,尤其是国画家是否必须能诗,值得商讨。宋代以前,画家的基本要求是能画,而非能诗。画家是否能诗,并不重要。北宋中期以后,因为士大夫画家增多,官方美术机构中,士大夫画家当领导,原来在士大夫中流行的诗画一律观念,逐渐通过国家意志推行开来。到了南

Whether the artist must be able to poem, especially whether the painter must be able to poem, is worth discussing. Before the Song Dynasty, the basic requirement of the painter was to draw rather than to poem. Whether or not the artist can poem does not matter. Since the middle of the Northern Song Dynasty, because of the increase of scholars and painters, among the official art institutions, the art of scholar-official or doctor-in-law, the original concept of poetry and painting that was popular among scholars, was gradually implemented through the will of the state. To the south