论文部分内容阅读
“乐歌创作”的音乐教育思想从1904年李叔同为上海“沪学会”补习班创词配曲的《祖国歌》,到1937年应邀为厦门市第一届运动会创词作曲的《厦门第一届运动大会会歌》,遗留下他作曲、填词和选曲配词的作品约百余首,确切的数目已无法考证。“李叔同的歌曲旋律悦耳,歌词优雅,更由于他音乐与诗词,因而旋律与文词结合的天衣无缝,达到艺术歌曲的水平。于结构上来说,他的歌曲则不免过于简单,全部为二、三、四段体的小曲,以单旋律为主,一字多音伴奏亦主要以三和弦为主。在今天来说,没有很大的研究价值。但他是第一批出外学习西洋音乐并将之带回中国的先驱,以他那个时代的条件来说,他的贡献和成就已经是非常的难能可贵。”这是对李叔同乐歌创作的一般性评价。再从裘梦痕与丰子恺编的《中文名歌五十首》序得知:“我们把我们平时所讽咏而憧憬的歌曲纂集起来,成这册
Music Education Thought of ”Song Creation“ From 1904, Li Shutong was the ”Song of the Motherland“ for the creation of musical compositions in Shanghai ”Shanghai Society “, and in 1937 he was invited to give a speech for the first Games in Xiamen. Xiamen first session of the General Assembly song ”, leaving behind his composition, lyrics and selection of lyrics about more than a hundred works, the exact number has been unable to verify. “Li Shu Tong’s melody with sweet melody, elegant lyrics, but also because of his music and poetry, melody and text combined with the perfect match, to achieve the level of art songs in terms of structure, his songs can not be over simplified, all for two or three , The four-piece body of the song, with a single melody-based, polyphonic accompaniment is also mainly dominated by the three chords in today, there is no great research value.But he is the first batch of Western music and study abroad Brought back to China, his contribution and achievements have been very commendable according to the conditions of his time. ”This is a general assessment of Li’s creation of songs. Then from the series of “Top 50 Chinese Songs” edited by Qiu Meng-yu and Feng Zi-kai, we know: "We compiled the songs that we usually praised and looked forward to,