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元代散曲家。如繁星满天,乔吉便是其中一颗璀璨的明星,被后世论者推为元散曲“清丽派”的杰出代表。他一生与官场无缘,流寓杭州约四十年,寄情诗酒,放浪不羁,自称是“不应举江湖状元,不思凡风月神仙”。曲作中既有以风流才子的自况,也有对离情别绪的感伤,更有散诞不平的嘲谑,故有人将他比作唐诗人杜牧、宋词人柳永。其散曲风格并不拘于“清丽”一格。而是趋向多样化。故王骥德、胡应麟等人又将其比作唐代的“鬼才”诗人李贺。若要探讨乔吉在元散曲史上的地位,这首看似怪诞的[折桂令]《荆溪即事》是不可忽视的作品之一。
Yuan Dynasty Sanqu. Such as the starry sky, Qiao Ji is one of the brightest stars. He was pushed by later generations to be an outstanding representative of Yuan Dynasty’s “Qingli School”. He missed his life and officialdom. He stayed in Hangzhou for about 40 years. He was sent to love poetry, and was not arrogant. He claimed to be “not to be the champion of the rivers and lakes. In the works, there are both self-respecting people with romantic demeanor, sentimental feelings for desolation, and even more ridiculous ridicule. Therefore, someone compares him to Tang poet Du Mu and Song Ciren Liu Yong. The style of Sanqu is not restricted to the “clear” style. But it tends to be diverse. Therefore, Wang Yude, Hu Yinglin and others compared it to Li He, the poet of the Tang Dynasty. To explore the position of Qiao Ji in the history of Yuan Sanqu, this first seemingly bizarre [Zhu Gui Ling] “Jing Xi is a matter” is one of the works that cannot be ignored.