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雪后的清晨,小溪、树林和山岭处处闪烁着积雪的白光。我走出小小木屋,抬头望见寥落的晨星还在凝视着这银色世界。霎时,整个天空变成蔚兰……思想的“雪花”,在我心上悠悠飘洒。我漫步在雪地上,面前的雪地,依稀是一张素笺。那素笺上,似乎还有我昨夜灯下所摘抄的唐宋词名句: 试问闲愁都几许?一川烟草,满城风絮,梅子黄时雨。 (贺铸《青玉案》) 只恐双溪舴艋舟,载不动、许多愁。 (李清照《武陵春》) 愁人的唐宋词,属于那愁人的时代。那愁人时代,产生了几多愁人名句? 词人为了畅达主观情意,巧妙地运用了夸饰这种修辞格,从而情味愈出。
Early morning snow, streams, woods and mountains flashing white snow everywhere. I walked out of the cabin, looked up and saw the sparse morning star is still staring at this silver world. An instant, the entire sky into a lan ... ... thought “snowflake”, in my heart wandering. I walk in the snow, in front of the snow, vaguely a Su Jian. That Su Jian, there seems to be my excerpts from the lights of the Tang and Song of the night last night under the sentence: I ask how many chills are a bit Chikara Tobacco, Manchuria floc, plum yellow when the rain. (He cast “sapphire case”) Fear of Shuangxi boating, unable to move, many worry. (Li Qingzhao “Wuling Spring”) Melancholy of the Tang and Song words, belong to the era of melancholy people. That sad people era, how many sentimental names have been produced? Ci poet in order to reach subjective feelings, clever use of exaggerated this rhetoric, so the taste more.