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众所周知,作曲家谭盾在创作歌剧《秦始皇》的十年之间,通过翻阅大量的史料文献等形式,寻找有关秦国国乐的蛛丝马迹,他勇于追随先秦时期的音乐律制,结合先秦时期的音乐元素与特点,努力于该部歌剧中再现秦国音乐的风貌。因而,歌剧《秦始皇》承载了谭盾个人对于先秦时期音乐思想的理解,同时在一定程度上,也向众人展示了我国古代的音乐美学思想。本文将对歌剧《秦始皇》所体现的音乐美学思想及其价值与意义作简单的分析,旨在将知识进行理论与实践相结合,并学会多角度、深层次的去理解一部音乐作品。
As we all know, the composer Tan Dun in the ten years of the creation of the opera “Qin Shi Huang”, by looking through a large number of historical documents and other forms, looking for clues about the Qin Guoguo, he was brave to follow the pre-Qin musical system, combined with the music elements of the pre-Qin period Characteristics, efforts to reproduce the opera in the Ministry of Qin style. Therefore, the opera “Qin Shihuang” carried Tan Dun’s personal understanding of music thoughts in the pre-Qin period, and to a certain extent, also showed the ancient Chinese music aesthetics. This essay will make a brief analysis of the musical aesthetics embodied in the opera “Qin Shi Huang” and its value and significance, aiming to combine the theory and practice of knowledge with one another and learn to understand a piece of music from multiple angles and deep levels.