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三、江宏伟、徐累与新工笔画风的生成逻辑纵然,历次新工笔画展皆没有将江宏伟纳入阵容,但不容忽视的一个事实是,新工笔画风的诞生却与江宏伟的绘画实践与艺术理念密切相关。从传统的师承角度而言,新工笔代表画家如徐累、张见、雷苗、高茜、崔进皆与江宏伟为师友关系,其审美影响可谓直接,而其他画家也多为江氏之艺术精神所感召而心私淑之。从表面上看,江宏伟的绘画题材似乎与传统花鸟的自然物态并无二致,其作品气息以古意为胜,更追求与宋元古典绘画的雍容华贵气度相仿佛,此一外相,竟将江氏作品中现代意蕴所遮蔽,笔者曾在一篇文章中认为:“江宏伟的花鸟画,题材是传统的,纯粹而自然,全然不容现代器具的介入。技法是拟传统的,
Three, Jiang Hongwei, Xu tired and new style of writing stroke logic Although, the new stroke art exhibition are not included Jiang Hongwei into the lineup, but one can not be ignored is the fact that the creation of a new style of writing style and Jiang Hongwei’s painting practice Closely related to the concept of art. From the perspective of the traditional teacher, the new painter’s representative painters such as Xu Lei, Zhang Jian, Lei Miao, Gao Qian, Cui Jinjie and Jiang Hongwei are the mentor and friends. Its aesthetic influence is direct, while other painters are mostly Jiang’s The artistic spirit of the call and private Shu. On the surface, Jiang Hongwei’s painting theme seems to be no different from that of the traditional flowers and birds. His works are breathtaking in ancient ways, pursuing the grace and elegance of the classical paintings in the Song and Yuan dynasties. This foreign minister actually The author conceives of the modern connotation in Jiang’s works. In one article, the author thinks: ”Jiang Hongwei’s flower and bird paintings are traditional, pure and natural, and can not tolerate the intervention of modern equipment at all. The technique is to be a traditional,