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(二)每天练琴的内容安排 通常的做法是音阶和练习曲占三分之一、练习乐曲占三分之一、演奏乐曲占三分之一。具体地说,就是在每天刚开始练琴时我们先用充沛的精力来进行较为乏味的技巧训练,接下来我们要把这些技巧恰当地运用到乐曲中,并解决乐曲中的技术问题;最后我们才可以完全投入到音乐中,进行一些带有消遣性质的演奏。 参照前面关于掌握技能的一些理论,我们首先要反对忽视音阶和练习曲的错误倾向;而另一个极端——忽略演奏乐曲的做法也是不可取的。即使从技巧的观点来看,这种练习也非常重要,因为在此过程中会暴露很多隐藏的技巧弱点。在练习乐曲时我们要注意两种
(B) The usual practice of arranging the contents of a daily practice is to have one third of scale and practice, one third to practice music and one-third to play music. Specifically, we start with a lot of energy at the beginning of each day to perform tedious skill training, then we need to apply these skills properly to the music and solve the technical problems in the music. Finally, we Only fully into the music, to carry out some recreational nature of playing. With reference to the previous theories on mastery of skills, we must first object to ignoring the wrong tendencies of scales and etude; and on the other extreme, it is not advisable to ignore the practice of music. Even from a skill point of view, this exercise is very important, as there are many hidden skill weaknesses exposed in the process. We should pay attention to two kinds when practicing music