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数十年前,檀东铿是我邻居。上世纪60年代初,他开始学习中国画,那时山水、花鸟、工笔、写意都画,后逐渐转而主攻工笔花鸟画。他对画很着迷,学习很用功,笔不离手又肯动脑筋,且注意理论和实践相结合,因而进步很快。尤其是近年来,画作日趋成熟精到,观之,真有士别三日刮目相看之感。檀东铿的作品,体现了既端严精微又气度开张的气象,给人以宽博之感。他的每幅作品都画得很精美,从造型的概括取舍到用线用色都十分讲究,但又不拘谨;形体丰秀大方,线条消劲圆隽;放得开,收得住,色彩统一协
Decades ago, Tan Dongkeng is my neighbor. In the early 60s of last century, he began to learn Chinese painting. At that time, landscapes, flowers and birds, meticulous writing and freehand brushwork were all painted. He was very fascinated with the painting, learning very hard, pens and willing to use their brains, and pay attention to the combination of theory and practice, and thus progress rapidly. Especially in recent years, the paintings are becoming increasingly sophisticated and viewable. Tan Dongkeng works, reflecting the mellow and arrogant meteoric opening, giving a broad sense of Bo. Each of his works is beautifully painted, from modeling the general trade-offs to the use of color are very particular about the line, but not formality; shape abundance generous, Unification