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四十多年来,导演罗云为全国30多个剧团导演 过150多部剧目,包括传统戏、新编古代戏和现代戏。纵观罗云的作品,会发现一个有趣的问题:他的作品尤以历史剧居多。这里所说的“历史剧”,是指历史真实依据比较充分的新编古代戏和传统戏。我曾问过罗导,对剧目的选择是刻意的,还是无意的,罗云笑答:“绝对是一次次历史的巧合。”艺术之神就这样一次次将他的价值和才华定格在了历史剧上。我们不妨就从历史剧入手,去追寻他的艺术足迹。 （一） 罗云的历史剧涉及内容广泛,朝代众多,有西汉的《刘邦与萧何》,三国时期的《诸葛亮出山》、《舌战群儒》、《收姜维》,唐代的《明镜记》、《粉黛冤家》,宋代的《杨门女将》、《琼玉公主》,明清时期的《红娘子》、《孔尚任》等等,这些作品几乎构成了一部中国断代史。有人说,历史剧不是历史,没有
For more than 40 years, director Luo Yun has directed more than 150 plays for over 30 theatrical troupes across the country, including traditional plays, new ancient plays and modern plays. Looking at Luo’s work, you will find an interesting question: His works are mostly historical plays. The “historical drama” referred to here refers to the newly established ancient drama and traditional drama based on the historical truth. I asked Lord Luo how the choice of the play was deliberate or unintentional, and Luo Yun said with a smile: “It is absolutely a coincidence of history.” The god of art has thus set his values and talents in check Historical drama. We may wish to start from the historical drama, to trace his artistic footprints. (1) Luo Yun’s historical drama involves a wide range of contents and has many dynasties, such as “Liu Bang and Xiao He” in the Western Han Dynasty, “Zhuge Liang goes out of the mountains”, “tongue warfare and group Confucianism”, “collection of Jiang Wei” in the Three Kingdoms period, , “Pink Dai Yuan Yuan”, “The Young Men in Song Dynasty”, “Princess Qiong Yu” in the Ming and Qing Dynasties, “Red Lady”, “Kong Shangren” and so on. All these works constitute almost a history of Chinese Chronicles. Some people say that historical drama is not history, no