孤独失落的皮影

• 作 者: 熊焰
• 出 处: 科学大观园
• 发表日期: 2009年20期
• 关键词: 皮影戏 艺术形态 艺术形式 艺术融合 亡灵 民间说唱 鼎盛时期 影响力 近当代 观众群 娱乐 特权 宋代 清朝 灵魂 汉代 佛家 表演

发源于汉代的皮影,在唐代则为佛家所用,在超度亡灵时用以代替死者的灵魂。到了宋代,与民间说唱艺术融合后,皮影更为接近当代的艺术形态。清朝时,皮影戏已从皇家特权、摄魂术表演、超度亡灵变为百姓的日常娱乐,蓬勃发展成国内最有影响力和观众群的艺术形式,迎来了她的鼎盛时期。如今,这项我国重要的民间传统艺术,由于观众和演出市场

Derived from the shadow of the Han Dynasty, it was used by the Buddhists in the Tang Dynasty, to replace the souls of the dead when the undead was dead. When it came to the Song Dynasty, blending with folk rap art, the shadow was closer to the contemporary art form. During the Qing dynasty, the shadow play was transformed into the daily entertainment of the people from the royal privilege, demon soul show, extravagant souls to the most influential and spectacular art form in the country, ushering in her heyday. Today, this important art of folk tradition in our country is due to the audience and the performance market