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中国小剧场话剧最早始于1982年,当时林兆华排了一部《绝对信号》,小剧场话剧被赋予的更大意义在于它的实验色彩,实验话剧相对观众较少,适合在小剧场演出。但是,小剧场话剧在当时并没有蓬勃发展,人们的理解也定位在实验、先锋、探索上。直到孟京辉的《恋爱的犀牛》把小剧场话剧变成一种可盈利行为时,人们才注意到小剧场座
The theater of Chinese mini-theater started as early as 1982, when Lin Zhaohua drafted an “absolute signal”. The greater significance given to drama in the mini-theater is its experimental color. The experimental drama is relatively less audience and suitable for performing in a small theater. However, the drama of the little theater did not flourish at that time, and people’s understanding of the drama was also located in the experiment, pioneer and exploration. It was not until Mengyi Hui’s “Rhinos in Love” turned theater dramas into profitable ones that people noticed little theater seats