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近年各地出土的战国文字资料日益增多,引起了许多学者的关注。随着发现和研究的不断深入,对战国文字的研究已不停留在传统意义的研究方法上,不只是为了探求文字形、音、义之间的关系并揭示其本源,而是逐渐开拓视野从更多不同的领域、不同的角度来审视它的艺术特点。本文在书法美学的范畴并利用古文字学的研究成果来分析战国题铭与简牍书法的字形,从中不难发现当时的字形为了书写便利曾出现了字形简化和草化现象,同时也有为了结构匀称的装饰功能等原因,导致字形不断变化出现了繁化和美术化等现象。
In recent years, the Warring States Period unearthed more and more text information, aroused the concern of many scholars. With the deepening of discoveries and researches, the research on the writing of the Warring States Period has not stopped at the traditional research methods, not only to explore the relationship between the characters, sounds and righteousness and reveal their origin, but to gradually broaden their horizons More different fields, different angles to examine its artistic characteristics. In the category of calligraphic aesthetics and using the research results of ancient philology, this paper analyzes the glyphs of the Warring States Period inscriptions and the calligraphy of Jane Stylites. It is not difficult to find that the glyphs at the time have simplified glyphs and grazed them for the convenience of writing. At the same time, Decorative features and other reasons, resulting in continuous changes in glyphs appeared complicated and art and so on.