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中国民族传统戏曲历史近千年,只是在近百年——特别是近50年中才同世界其他国家有较多的接触和交流。但从“全球”观点看,其规模、深度仍很小很浅。即以戏曲剧种说,出国交流的很少,就是京剧,比起日本歌舞伎也还远不如。 如今,面对声势浩大的全球化潮流,我们的民族戏曲将何以自处,何从适应,何以发展?我想,我们的任务应是让过去长期闭塞的许多剧种通过各种方式被更多世界观众所见所知,由见知到理解,由理解到喜欢,使这些剧种的艺术成为世界性文化艺术的组成部分。
The history of the traditional Chinese traditional opera has been around for nearly a thousand years. Only in the past century, especially in the past 50 years, has it had more contacts and exchanges with the rest of the world. However, from a “global” point of view, its scale and depth are still very small. That is to say drama opera, very few exchanges abroad, that is, Beijing Opera, kabuki than Japan is also far better. Nowadays, in the face of the massive globalized trend, why and how can we develop and adapt our national traditional opera? I think it is our task to make many operas, which have been closed for a long time, been used by more ways in various ways As the audience knows and knows, from understanding to understanding, from understanding to liking, the art of these operas becomes an integral part of world culture and art.