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荀海的行书,典雅端庄,透着一股清气。很显然,他把目光瞄准了初唐的行书书风,这其中可见他对于欧阳询的行书取法很深。欧阳询的行书用笔婉约,发力方式简捷,颇类似晋人笔意,这就是其优势。从后往前取法,我以为这才是上溯之法。比如,苏东坡由橱凝式上溯魏晋,王觉斯由来芾上溯魏晋,这都是前人的高明之处和成功办法。今人流行从《书谱》上溯二王也是一法。那么,荀海能够从初唐的欧阳询行书上溯魏晋的简约笔法和格调,我以为这就是其高明之处,甚至,这条路几乎没有人这么走过。学某家往往围于某家而泥古不化,而学某家仅仅是作为上攀的一条途径,则显现出了高明。——齐玉新
Xun Hai’s book, elegant and dignified, reveals a Qing Qi. Obviously, he set his sights on the style of writing in the early Tang Dynasty, which showed that he had a deep understanding of the writings of Ouyang. Ouyang inquiry line with pen graceful, hair force way is simple, quite similar to Jin gesture, this is its advantage. From the back to take the law, I think this is the law of tracing back. For example, Su Dongpo by the wardrobe condensate dating back to the Wei and Jin, Wang Jue Si originated from the Wei and Jin, which are the clever and predecessors of the successful approach. Today’s popularity from the “book” Up two kings is also a law. Well, Xunhai can trace the simple style and style of the Wei and Jin Dynasties from the Ouyang Quotations in the early Tang Dynasty. I think this is its cleverness. Even this road is hardly followed by anyone. To learn that a home tends to enclose a home while it is old-fashioned, learning a home is merely a way to ascend. - Qi Yu new