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几个月前,我和热播美剧《绝命毒师》的几位编剧参加了一次文化活动。我们在活动的间隙聊得热火朝天。我很好奇地问:“你们这些家伙是怎样编出这样一部好看的剧的?”文斯·吉利甘微笑着告诉我:“这是大家分工合作的结果,我们要保证一点,每5~10分钟就有一个‘爆发点’,每一集都要制造悬念。只有这样才能让观众牢牢地坐在沙发上,从头看到尾,否则他们就会换台了。”“所有的电视剧都是这样编的吗?”“是的,我们必须绞尽脑汁‘粘住’观众。”另一位编剧如实地回答,“全美90%以上的电
A few months ago, I participated in a cultural event with several screenwriters who hit the American TV show ”The Deadliest Poisoner.“ We chatted in the middle of the event in full swing. I was very curious to ask: ”How did you guys make such a good drama?“ ”Vince Geeigan smiled and told me:“ This is the result of the division of labor and cooperation. We must promise that, Every 5 to 10 minutes there is an ’outbreak’ and every episode has to create a suspense, the only way for the audience to sit firmly on the couch and see the tail from the ground up, otherwise they will switch stations. ”Is all the drama series made up like this?“ ”Yes, we have to rack our brains to ’stick’ the audience.“ Another screenwriter answered truthfully, ”More than 90% of the nation’s electricity