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最近,广东戏剧工作者观摩了中国京剧院一团演出的《红灯记》和解放军空政文工团歌舞剧团演出的歌剧《江姐》以后,分別举行座谈和发表文章(见一月二十七日、二十九日《羊城晚报》),大家以《红灯记》《江姐》为样板,联系粤剧界的思想作风和粤剧现代戏创作中的问题,找出了自己同他们的差距。大家一致认为,形成差距的根本原因是:沒有很好地贯彻毛主席的文艺思想,在创作活动中沒有以阶级和阶级斗争为纲,因此,在思想上、
Recently, the theater workers in Guangdong witnessed the “Red Lantern” performed by a delegation from the Peking Opera Theater and the opera “Jiang Jie” performed by the Song and Dance Troupe of the Air Liberation Art and Literature Troupe of the People’s Liberation Army. After that, they held informal discussions and published articles (see January 27 , And “Yangcheng Evening News” on the 29th.) They took the “Red Lantern” and “Jiang Jie” as examples to find out the differences between themselves and themselves in connection with the ideological style of the opera industry and the creation of modern opera in Cantonese opera. All agree that the fundamental reason for the formation of the gap is that Mao Zedong’s ideology in literature and art was not well implemented and there was no link between class and class struggle in his creative activities. Therefore, ideologically,