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乾、嘉时期,以赵、董为代表的帖学书风盛行,但访碑著录的盛行带动了书家们更多的去关注金石文字,这种活动产生了大量的金石拓片。这些拓片开阔了学书者的眼界,拓宽了他们的取法范围。文人学者通过辨析拓本的优劣,推求书写者本来的作品风貌,透过刀锋看笔锋,追求碑版石刻经过风化后所呈现的金石气。碑学书家均以篆、隶为突破口,随之,篆书与隶书大量涌现。近人谈论乾、嘉之际碑学的兴起,多举访搜集碑拓的数量之多以及拓本的优劣作例子,却忽略了金石拓本也是推动碑派书法繁荣的一个重要因素。
In the period of Qian and Jia, the style of the calligraphy calligraphy represented by Zhao and Dong prevailed. However, the prevalence of the calligraphic history led the calligraphers to pay more attention to the writing of the stone, which produced a large amount of stone rubbings. These rubbings broaden the scholar’s horizon and broaden their scope of access. By analyzing the advantages and disadvantages of the rubbings, scholars and scholars seek the style of the original works of the writers, look through the front of the brush, and pursue the golden stone gasified after the lithography of the inscription. Inscriptions are home to seal, Li as a breakthrough point, followed by a large number of seal script and script. The recent talk about the rise of Buddhism and Kajiu inscriptions, the large number of visits to the collection of monumentations as well as the advantages and disadvantages of rubbings, ignoring the fact that stone inscriptions are also an important factor in promoting calligraphy prosperity of the inscriptions.