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“原生态音乐”大致是指那些形成于自然经济时期并且由于地域、交通、经济等原因而没有受到太多外来文化影响的民间音乐。借用产生自自然科学领域的“原生态”这个概念来比喻这类民间音乐有利于强调这些音乐的价值和保护它们的迫切性,但在当今这个传播媒介无孔不入的时代,这些音乐能否再以原来的生存状态延续,这是值得怀疑的。随着原生态音乐被搬上舞台,我们又该如何去呵护它们、保护它们呢?
“Original music” generally refers to those folk music formed in the period of natural economy and due to geographical, traffic, economic and other reasons are not affected by too many foreign cultures. To borrow such concepts derived from the “natural ecology” of the natural sciences as a metaphor for such folk music is good for emphasizing the value of these music and the urgency of protecting them. But in today’s era of pervasive media, can these music To the continuation of the original state of existence, it is questionable. How can we take care of them and protect them as the original music is brought to the stage?