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王家春的艺术创作,我们很容易看出他的艺术选择:在功利与唯美之间。他总是以自己的艺术方式来劝勉或诗意我们的世界。中国绘画史上,大写意绘画有其完整的艺术谱系即徐渭——八大山人——吴昌硕——齐白石——崔子范。如果从这一谱系来看王家春的艺术创作,不难发现,处于此一谱系的王家春在“言事明理”的维度上,极大地开拓了新的可能性。如果说白石翁画中有“物”的话,那么
Wang Jiachun’s artistic creation, we can easily see his artistic choice: between utilitarian and aesthetic. He always exhorted or poetic our world in his own artistic way. In the history of Chinese painting, the freehand painting has its complete pedigree of art, namely Xu Wei - Bada Shanren - Wu Changshuo - Qi Baishi - Cui Zifan. If we look at the artistic creation of Wang Jiachun from this pedigree, it is not difficult to find out that Wang Jiachun in this pedigree greatly opens up new possibilities in the dimension of “truth and explanation.” If there is “thing ” in Baishueng painting, then