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本栏目旨在聚焦中国现代历史上著名的美学家、艺术家,探究其在中西文明剧烈碰撞之际,如何参照西方文明话语自觉寻求中国古典艺术观念、审美经验的现代转换,又是如何在重构自身艺术哲学理论与艺术史观的进程中,实现对中国传统艺术精神的承续和对艺术人生理想的坚守,以期对全球化和商业化大潮裹挟之下薄弱的文化本土意识、浮躁之风有所裨益和借鉴。
This column aims to focus on the famous Chinese aesthetics of modern history, artists, to explore its violent collision of Chinese and Western civilizations, how to conscientiously seek the classical Chinese art, the modern conversion of aesthetic experience, and how the reconstruction In the process of its own artistic philosophical theory and artistic history view, it will inherit the traditional Chinese artistic spirit and stick to the ideal of life in the hope of weak cultural local consciousness and impulsive style under the tide of globalization and commercialization. Benefit and learn from.