论文部分内容阅读
本文对印度岩画进行了全面而概要的介绍;着重探讨了印度最主要的岩画点“比莫贝特卡岩画点”(Bhimbetka)、“达拉奇—查丹岩画点”(Daraki-Chattan)、“查特普吉纳什·纳拉岩画点”(Chaturbhujnath Nala)的发现和研究现状;并对印度岩画的断代方法和年代学序列进行了论述;随后将印度岩画分为中心区和边境区两大部分;其中印度中心区的岩画是印度岩画最集中、最重要的区域;按历时的顺序,分别从旧石器时代、中石器时代、新石器时代和历史时期对中心区岩画进行了分析;边境区则选取了7个岩画相对丰富的邦进行探讨;本文旨在对印度岩画进行全面分析的基础上探讨其年代序列、风格变迁和内涵意义。
This article presents a comprehensive and synoptic overview of Indian rock paintings; focuses on some of the most important rock paintings in India such as “Bhimbetka”, “Daraki” -Chattan), the status of the discovery and research of the Chaturbhujnath Nala in Chattenghujnath Nala, and the dating methods and chronological sequences of the Indian petroglyphs were discussed. Then, the Indian petroglyphs were divided into centers District and border area. Among them, the rock paintings in the center of India are the most concentrated and important areas of Indian rock paintings. According to the diachronic sequence, from the Paleolithic, Mesolithic, Neolithic and historical periods, The seven border rock areas are selected to discuss the relative richness of the rock paintings. The purpose of this paper is to discuss the chronology, style changes and implications of the rock paintings based on a comprehensive analysis of the rock paintings in India.