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关于柏拉图开创史诗、抒情诗、戏剧三分法的说法已成为文学批评史上的一种常识。本文通过对《国家篇》中Diēgēsis概念考察,指出这一常识的理论错误,并力图阐明柏拉图诗学的伦理维度。
The argument that Plato pioneered the epic, the lyrical and the trichotomic approaches has become a common sense in the history of literary criticism. This essay points out the theoretical error of Diēgēsis in “National Papers” and attempts to elucidate the ethical dimension of Plato’s poetics.