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闽剧《野草情》的演出开始了。舞台上一群个体户恣意地唱着、跳着、叫着,宣泄着他们的喜、怒、哀、乐,透露出交织在一起的满足、放纵、空虚、迷惘。在人生的旅程上,他们是怎样生活着的一群人?他们又将走向何方?随着戏剧情节的开展,我们被一股力量吸引着,逐渐靠近这一群人中间的一个——耕心书屋的年轻店主欧海,感受到他的生活氛围,理解了他的言谈举止,也倾听到他的心灵震颤。如果以野草比喻这些从事商业活动的年轻个体户,那么欧海也是一棵“没门没户没爹妈”的野草吗?戏剧的演出告诉我们,欧海的确具有这群个体户的野性,那种拼命地赚钱、流水般地花钱的生存方式,那种融会着机敏和狡猾的行为逻辑,似乎已经渗入他的血液,在他周身流动。不过戏剧的演出又告诉我们,欧海的确不同于他周围的个体户哥儿们,他懂得“没有改革开放的政策,我们能这样做生意吗”;他认识到“做生意免不了狡猾,做人却要真诚”;他不满足于拼命地赚钱、流水般地花钱的生存方式,于是认购公债、慷慨赞助,想把耕心书屋办成一个架上摆满好书的第一流大书店。一股奋发向上的意
Min drama “Wild Grass Love” performance began. A group of self-employed individuals on stage sing, jump, shout and vent their joy, anger, sadness and pleasure, revealing intertwined gratification, indulgence, emptiness and perplexity. In the journey of life, how are they living a group of people? Where are they going? With the drama plot, we are attracted by a force, gradually close to the middle of this group - European owner of the store, feel his living atmosphere, understand his behavior, but also to hear his tremor. If the Weeds metaphor for these young individuals engaged in commercial activities, then the European Union is also a “no door no home no father and mother,” the weeds? Drama shows us that the European Union does have the herd of self-employed nature, the kind of desperately Money-making, water-filled living, the kind of smart and cunning logic that seems to have infiltrated his blood and flowed around him. However, the drama performance tells us that Ouhai is indeed different from the self-employed gentlemen around him. He knows that “there is no policy of reform and opening up, can we do business?” He realized that “business must be cunning, be honest but be honest” He was not satisfied with the hard way to make money and running out of money. He subscribed for government bonds and generously sponsored it. He wanted to make Cengxin Bookstore a first-rate big bookstore shelved with books. An intention to make progress