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本文分析了《玩偶之家》和《伤逝》的男权话语特征,从叙述学角度比较二者的男权话语特征的不同,由此产生的女性的自我认知的相异性,并指出产生这种差异的根源在于两者产生于不同的社会文化、历史背景。
This article analyzes the characteristics of the patriarchal discourse of “Doll’s House” and “Morbid Death”, and compares the differences of the patriarchal discourse features between the two in terms of narration and the dissimilarity of women’s self-cognition. The root of the difference is that the two originate from different social cultures and historical backgrounds.