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蒋兆和的写意人物画在从古典人物画转换到现代人物画过程中,把中西方的绘画因素结合起来,合理地运用西方科学的造型素描,结合中国传统人物画的笔墨和技法,创造性地拓展了中国水墨人物画的技巧,在中国人物画史上达到了一个空前的高度,是我国现代卓越的人物画大师和美术教育家。他开启了中国现代现实主义人物画的新风,创造了中国画造型基础课和水墨人物画教学体系,直接培养或影响了一大批卓有成绩的人物画家。
In his transformation from classical figure painting to modern figure painting, Jiang Zhaohe’s creative figure painting combined the painting elements of China and the West to make rational use of the sketch drawings of Western science and creatively broaden the brushwork and technique of Chinese traditional figure painting Chinese ink figure painting skills, in the history of Chinese figure painting reached an unprecedented height, is China’s modern outstanding figure masters and art educators. He opened the new style of modern Chinese realistic figure painting and created the basic course of Chinese painting style and the teaching system of ink figure painting, directly cultivating or influencing a large number of outstanding figure painters.