试论中国古典诗文中的“互文”手法

• 作 者: 李显根
• 机 构: 浙江财经学院人文艺术学院 杭州310012
• 出 处: 浙江学刊
• 发表日期: 2001年05期
• 关键词: 互文 艺术手法 古典诗文

本文对中国古典诗文中的互文手法作了以下三方面的研究 :一、互文的界说。通过历史源流的考索 ,认为 :互文就是在结构相同或相似的前后词组或句子中 ,对举的词前后各省略一个 ,解释时要相互补充。二、互文的类型。认为应分为单句互文、复句互文、省反互文三类。三、互文的作用。有 :简炼文句 ,以少驭多 ;对举顿挫 ,富有节奏 ;文意宛转 ,寓味深长

This article makes the following three studies on the intertextuality in Chinese classical poetry: First, the definition of intertextuality. Based on the historical origins of the test, that: intertextuality is in the same or similar structure before and after the phrase or sentence, the words before and after the lifting of each omitted, to explain each other to complement each other. Second, the type of intertextuality. Think should be divided into single sentence intertextuality, complex sentence intertextuality, provincial antinuclear three categories. Third, the role of intertextuality. There are: concise sentences to less Yu more; set off against frustrated, full of rhythm;