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［按］聂危谷实验水墨展子２００１年１１月２８日至１２月７日在南京博物院现代艺术馆举办。这是画家在大学毕业２０年．从事实验水墨１０多年来首次在居住地之外举办个人画展。 参加２８日开幕式的有宁、扬两地的美木工作者、美术院校学生．新闻记者等各界人士２００多人。出席当天座淡会的有江苏画坛和美术批评界知名人士。座谈会由批评家顾丞峰主持。 聂危谷于上世纪７０年代末开始尝试现代绘画语言，８０年代末从事实验水墨创作，９０年代创作的《凡高系列》经《江苏画刊》推介，在国内画坛有一定反响。此后聂危谷埋首读书，长期默默耕耘而不求闻达。出于自我人格拷问和终极意义追问的内在需求。他以水墨媒材的自由宣泄，以人物（从英雄转向大众）等媒体图像为符号的理性构成与反理性表现。逐步确立对当代文化危机、个人心灵冲突以及对理想主义关怀进行视觉阐释的悲剧性抽象风格（参见聂危谷《一个理想主义者的自白》）。
[Press] NIE Guogu Experimental Ink Painting Exhibition November 28, 2001 to December 7 at the Nanjing Museum of Contemporary Art Museum held. This is the artist who graduated from college for 20 years. Engaged in experimental ink for the first time in more than 10 years to hold personal exhibition outside the residence. Participate in the opening ceremony on the 28th Ning, Yang wood and wood workers, art students. Journalists and other people from all walks of life more than 200 people. Visiting the seat of the day will be painting circles in Jiangsu and art critics celebrities. The forum was moderated by critic Gu Chengfeng. In the late 1970s, Nie Dao Gu began to try modern painting language. In the late 1980s, he experimented with experimental ink painting. The introduction of “Van Gogh series” by Jiangsu Pictorial created in the 1990s made some repercussions in the domestic art scene. Since then, Nie Gu Gu immersed in reading, long-term quiet work without asking for information. Inherent need for self-personality torture and ultimate questioning. He represented the rational and anti-rational manifestations of media images such as the free-flow of ink-and-media and the portrayal of characters (from heroes to the general public). Gradually establish a tragic abstraction of contemporary cultural crisis, personal spiritual conflict, and visual interpretation of idealistic care (see Nie Huanu, Confessions of an Idealist).