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曾经看过一个非官方的中国十大著名舞蹈编导民间评选名单,张云峰的名字跃然纸上,附随一张随性自然的生活写真和一长串耳熟能详享誉舞坛的作品。对于舞蹈艺术的纯粹、坚持和不妥协如他的作品一样,虽不犀利出位,但却处处体现着革新和探索。从最初的作品《秋海棠》到最近的《肥唐瘦宋》,20多部作品彰显着他的舞蹈创作之路。正如西方舞蹈史上巴兰钦、贝嘉等从古典芭蕾中走出,但又与传统保持着千丝万缕的联系一样,张云峰的舞蹈创作一路游走于传统和现代之间,在不断的和传统对话中,确立了当代意义的传统新样式。
I have seen an unofficial list of top 10 Chinese folk dance directors in the famous choreographed choreography. Zhang Yunfeng’s name is vividly printed on paper, accompanied by a photo of life and nature and a long list of well-known works of dance. The purity, perseverance and uncompromisingness of dance art, like his works, are not as sharp as they are, but they are all manifestations of innovation and exploration. From his first work “Begonia” to the recent “Fat Tang Thin Song”, more than 20 works highlight his dance creation. Just as Balanchin and Beijia in the history of Western dance came out of classical ballet but are inextricably linked with the tradition, Zhang Yunfeng’s dance creation has traveled both tradition and modernity in a constant and traditional way In the dialogue, the traditional new style of contemporary significance was established.