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影片《雷雨》中“逼药”一场.有个小药盅的特写镜头,很能引起我们作一番思索。电影艺术区别于舞台艺术的一个重要功能,就是可以把观众与画面(物象)的距离缩短,以显示画面(物象)的逼真性,强化其感染力。小药盅的特写镜头,正是有效地强调和突出了药盅和中药汁物象;整个画面一片汪汪,象是繁漪无穷无尽的苦水和泪水。这就直观地表现了繁漪难言的苦衷,内心的颤栗和愤怨;透示出了她在特定情境中的复杂的心理情绪;渲染了此时此地令人窒息的、死水般的氛围;同时也显示人物间的错综关系。这是舞台艺术所无能为力的;坐在观众席上的戏剧观众无法见到那药盅里汪汪的药汁。电影艺术确实有得天独厚的、改变和调度空间距离的优越性。
In the movie “Thunderstorm,” a “drug forcing.” A close-up of a small medicine cup can cause us some thoughts. An important function of film art from the stage art is to shorten the distance between the audience and the picture (object) so as to display the vividness of the picture (object) and enhance its appeal. The close-up of the small cup, it is effective to emphasize and highlight the medicine cup and the Chinese medicine juice image; the whole picture a bark, like Fan Yi endless bitterness and tears. This intuitively shows Fan Yi unspeakable difficulties, inner trembling and resentment; reveals her in a particular context of complex psychological mood; at this time rendering the suffocating, stagnant atmosphere; It also shows the intricate relationship between characters. This is the stage art can not do anything; the theater audience sitting in the audience can not see the blessing in the medicine cup. Film art does have a blessing, the superiority of changing and scheduling spatial distances.